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  To purchase contact Linda at : lindasokolowski@hvc.rr.com 
                      Also available in person from November 
                      1 through December 28, 2024 during my solo show at Anthony 
                      Brunelli Fine Arts at 186 State Street, Binghamton, N.Y. 
                      Please check public hours with the gallery.  |   | My recent publication WHAT'S THE 
                    PROBLEM? Enigmas for the Visual Arts Studio is now available 
                    through Artmobile.com and is listed under art books.  The fifty-five challenging narrative problems and accompanying 
                    notes should inspire youthful, lively teaching artists. I 
                    believe my tested problems will encourage most to invent their 
                    own happily perplexing assignments to energize their curious 
                    students of art. Surrounding the text are one hundred fifty 
                    reproductions of my students' works on paper. There have been major publications for several decades questioning 
                    whether studio art and creative writing can be taught. Problem-based 
                    teaching, though proven to work in many other fields, seems 
                    to remain questioned by some in the visual fine arts. My experiences 
                    as a young undergrad at Rhode Island School of Design, and 
                    certainly as a professor of drawing and printmaking, have 
                    proven to me (and to those whom I mentored for thirty-five years of college 
                    teaching) that unique, open-ended assigned problems in series 
                    provide complicated, serious games which bright students of 
                    the visual arts crave. They begin to search for animated objects, 
                    mysterious enclosures and human interactions which they had 
                    never considered as subject matter. They also begin to accept 
                    the accumulated discoveries as a vital part of their being, 
                    and thus, seldom open a bare closet when searching for intriguing 
                    worthwhile subjects and spaces.
 The books on drawing and painting are often "how to" 
                    books on the subject of illustration techniques. I have not 
                    seen a guide to encourage the use of narrative problems which 
                    can set a different stage for every student, one which boosts 
                    visions of an image that the young artist can grasp as a starting 
                    point that rises from an important part of his own life. So 
                    how can each presented "story" be translated into 
                    a two dimensional picture of significant form-making? Accumulating 
                    problems begin to teach this with serious work over the undergraduate 
                    years, problems which get used and reused in vastly different 
                    ways as young artists mature. |