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To purchase contact Linda at : lindasokolowski@hvc.rr.com
Also available in person from November
1 through December 28, 2024 during my solo show at Anthony
Brunelli Fine Arts at 186 State Street, Binghamton, N.Y.
Please check public hours with the gallery.
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My recent publication WHAT'S THE
PROBLEM? Enigmas for the Visual Arts Studio is now available
through Artmobile.com and is listed under art books.
The fifty-five challenging narrative problems and accompanying
notes should inspire youthful, lively teaching artists. I
believe my tested problems will encourage most to invent their
own happily perplexing assignments to energize their curious
students of art. Surrounding the text are one hundred fifty
reproductions of my students' works on paper.
There have been major publications for several decades questioning
whether studio art and creative writing can be taught. Problem-based
teaching, though proven to work in many other fields, seems
to remain questioned by some in the visual fine arts. My experiences
as a young undergrad at Rhode Island School of Design, and
certainly as a professor of drawing and printmaking, have
proven to me
(and to those whom I mentored for thirty-five years of college
teaching) that unique, open-ended assigned problems in series
provide complicated, serious games which bright students of
the visual arts crave. They begin to search for animated objects,
mysterious enclosures and human interactions which they had
never considered as subject matter. They also begin to accept
the accumulated discoveries as a vital part of their being,
and thus, seldom open a bare closet when searching for intriguing
worthwhile subjects and spaces.
The books on drawing and painting are often "how to"
books on the subject of illustration techniques. I have not
seen a guide to encourage the use of narrative problems which
can set a different stage for every student, one which boosts
visions of an image that the young artist can grasp as a starting
point that rises from an important part of his own life. So
how can each presented "story" be translated into
a two dimensional picture of significant form-making? Accumulating
problems begin to teach this with serious work over the undergraduate
years, problems which get used and reused in vastly different
ways as young artists mature. |